A GLOBAL WARMING
I am not going to spend a lot of time or energy trying to examine this new world order that is changing lives in the New York streets like a sci-fi apocalypse. What I will say is, the 400 years of impure soil that has tilled this land for centuries was bound to spread an infectious disease. Unfortunately, those responsible aren’t the only ones experiencing the ill-fated karma.
Welcome to the Terrordome |
IF 2020 WERE A TATTO |
America's New Normal? |
Sadly, I get it. In a self-seeking society that is fueled by capitalism, those differences have tremendous value — especially the likes of: gentrification, social injustice, education, religion, xenophobia and food deserts. They all play a vital role in how we move and react inside of this so-called democracy. And depending on the price of your viewing lens, these itemizations are [either] going to be very beneficial or truly toxic. Yet, despite the hypnotic hurdles, what I love most about all genuine people is, they tend to ignore the obvious “capital gains” and instead share their God-gifted crafts, simply for the love & desire of scattering their truths to a world eager to listen. All of which leads to this month's soulful gem..., please put your headphones together to sample this unquenchable quartet from South Africa called:
Seba Kaapstad Seba [SEE-buh] Kaapstad [kahp-staht].
Seba Kaapstad ⧫Thina ⧫ Mello Music ⧫ May 2019 |
The 43-minute journey starts-off with lead singer, Zoé Modiga showcasing her amazing tri-lingual skills on the title track, “Thina.” This single tees-off a beautiful, yet impulsive, artsy voyage into a harmonic Zen. What I love most about this 11-track trinket is, it sounds oh-so very familiar, yet there is nothing in your collection quite like it. There are however, just enough elements on this project that will make you want to reach for something more familiar like the late 90’s sound from Maxwell, Jill and Erykah, with some Hiatus Kaiyote supplying the instrumentals.
The beat on “Africa” could be the quintessential summer spark that invades the R&B airwaves like a Soul II Soul single — that is -- if the groove didn’t shift like someone learning to drive a manual transmission. Despite that fact, the melody is refreshingly dope. The single could have really used a Phonte-like rap verse (or lesson) but the music more than covered for Zoé’s failed rap career.
The cadence on “Don’t” is probably the closest you will come to something you might experience on commercial radio—and that is still highly unlikely. The piano solo at the end glides like a flow from Steven Ellison’s (Flying Lotus) formidable fingertips.
The single that literally stopped me in my teary-eyed track was the gospel-laced, “Dezaster”. This churchy track spins as if someone really close to you is experiencing excruciating pain, has one outlet and we just so happen to be in the audience at the time. The melody grabs you like a song that is ending a scene in a Chitlin' Circuit play. The lyrics, while pretty simple are humble and poetic:
This is new, hurts like brand new shoes/Sad but true, sometimes we play to loose/Life moves on, even though you’re gone, it moves on/ Life moves on, without your song/And I think about all the joys I’ve missed/This very life of mine I’ve missed/The precious time I’ve missed/No matter what I miss, I’ll miss you/
My absolute favorite song is ‘Welcome...,"which is what you'll experience once this LP enters every black person’s
household.
1 love,
Ray Lewis
1 love,
Ray Lewis
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